Pacifica’s In Your Face is scintillating. True to its title, the Argentine rock duo delivers one of the most authentic manifestations of youth in recent memory.It’s hard to imagine indie sleaze as anything other than cigarette burns, shaky MySpace videos, and Pete Doherty looking rough somewhere in Camden. Pacifica, however, drags it into a new age with cleaner wounds and better jeans. Key to this is Inés Adam’s slurred yet charismatic vocals, which exude a magnetic swagger and inject a flirtati...

There are two things that stand out above all else in any The Last Dinner Party gig, and the first is, of course, Abigail Morris’ vocals. An ability to sing is easy to overlook in rock music, and a lot of the time rightly so. But Morris is extraordinary. The theatre, and the pageantry present in The Last Dinner Party’s music wouldn’t be so absorbing without the poignant beauty with which she delivers each and every line.  The second standout is a natural extension of this: the spellbinding cohes...

Words: Josh Parsonage


The London indie-folk duo held The Poetry Club in rapt attention with their harmonious acoustic melodies delivered in heartfelt a manner. 


Christie Gardner and Helen Dixon, accompanied by their exceptionally talented band, cast a captivation upon the Glasgow crowd with their slow-burning opening track, ‘Crash The Car’. The song reels you in before dropping the audience into a spiralling, messy melody that showcases the vast emotional range of the band’s music and the...

Words: Josh Parsonage


Scathing imagery hinged upon synths steeped in melancholy weaving a story of betrayal – ladies and gentlemen, Alexandra Savior is back.


It’s been five years since genre-bending Portland-based singer-songwriter Alexandra Savior released her critically acclaimed noir-pop LP ‘The Archer’,  but the wait for new music is finally over. On Friday, she unveiled ‘Unforgivable’, a jazz-influenced track that tells a tale of treachery turned self-empowerment.


‘Unforgivable’ ma...